![]() Only in regard to the identity of the character are there strict distinctions. The set of clothing is fixed, regardless of the season or the interpretation of the character played in different dynasties. The biggest characteristic of Peking Opera costumes is their strong compatibility with no distinction to season or dynasty. Based on the various styles of clothing, modifications were made to the costumes to meet the needs of the singing and dancing movements of actors. The costumes also absorbed characteristics of clothing styles from the Song, Yuan, and Qing dynasties. The costumes of Peking Opera also reflect the cultural diversity of different areas in the process.Īlthough Peking Opera was formed in the Qing Dynasty, the costumes used in plays were made based on the clothing style of the Ming Dynasty. The formation of this art is a process of absorbing various elements of other arts. ![]() From the music and dance of the Han Dynasty (206 BC - AD 220), performing arts in the Tang Dynasty (618-907), then to the Southern Opera during the Song Dynasty (960-1279), and the Kunqu Opera in the Ming and Qing dynasties (1368-1911), all provided the needed elements for the birth and formation of Peking Opera. Peking Opera has been called the quintessence of Chinese culture because it embodies the essence of Chinese opera culture. Color matching or pattern designs, the making adheres to symbolist principles of Chinese operatic art, all of which are also imbued with the essence of Chinese traditional culture. To the layman, they may only see actors wearing colorful and dazzling costumes moving back and forth across the stage, but behind every “outfit” there is much detailed work that goes into making them. An art archive exhibition of the four main role types portrayed in Peking Opera.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |